Parties d'ouvrages collectifs (43)
  1. 13. Maufort, M. (2011). Celebrating Indigeneity: Contemporary Aboriginal Playwriting in Canada and Australasia. In M. Maufort & D. Figueira (Eds.), Theatres in the Round: Multi-ethnic, Indigenous, and Intertextual Dialogues in Drama (pp. 91-108). Bruxelles: PIE Peter Lang.(Dramaturgies, 28).
  2. 14. Maufort, M., Marti, R., & Vogt, H. (2010). Performing Europe’s ‘Others’: Towards a Postcolonial Reinterpretation of the Shakespearean Canon. In Europa zwischen Fiktion und Realpolitik/ L’Europe—fictions et réalités politiques (pp. 35-52). Bielefeld: Transcript Verlag.(Frankreich-Forum, 9).
  3. 15. Maufort, M., & De Wagter, C. (2008). Signatures of Cultural Memory. In Signatures of the Past: Cultural Memory in Contemporary Anglophone North American Drama (pp. 11-14). Bruxelles: P.I.E. Peter Lang.(Dramaturgies, 24).
  4. 16. Maufort, M., & O'Donnell, D. (2007). Performing Aotearoa in an Age of Transition. In Performing Aotearoa: New Zealand Theatre and Drama in an Age of Transition (pp. 13-16). Bruxelles: P.I.E. Peter Lang.(Dramaturgies, 22).
  5. 17. Maufort, M., & O'Donnell, D. (2007). Recapturing Maori Spirituality: Briar Grace-Smith’s Magic Realist Stage Aesthetic. In Performing Aotearoa: New Zealand Theatre and Drama in an Age of Transition (pp. 247-267). Bruxelles: P.I.E. Peter Lang.(Dramaturgies, 22).
  6. 18. Maufort, M., & O'Donnell, D. (2007). Painful Homecomings: Family Fractures in Contemporary Pakeha Dramaturgies. In Performing Aotearoa: New Zealand Theatre and Drama in an Age of Transition (pp. 121-138). Bruxelles: P.I.E. Peter Lang.(Dramaturgies, 22).
  7. 19. Maufort, M. (2006). Captured Images: Performing the First Nations’ ‘Other.’. In B. Ozieblo & M. D. Narbona-Carrion (Eds.), Codifying the National Self: Spectators, Actors and the American Dramatic Text (pp. 169-183). Bruxelles: P.I.E.-Peter Lang.
  8. 20. Maufort, M. (2006). Some Kind of Transition Place Between Heaven and Hell: George Walker’s Aesthetics of Hybridity in Heaven. In H. Lane (Ed.), George F. Walker: Critical Perspectives on Canadian Theatre in English (pp. 177-186). Toronto: Playwrights Canada Press.
  9. 21. Maufort, M., Heinze, M., & Müller-Schneck, E. (2004). Mirrors of Hybridity: Performing the Black ‘Other’ in Contemporary Afri-Canadian Drama. In Canadian, Literary and Didactic Mosaic (pp. 59-71). Trier: Wissenschaftlicher Verlag Trier.
  10. 22. Maufort, M. (2003). Some Kind of Transition Place Between Heaven and Hell: George Walker’s Aesthetics of Hybridity in Heaven. In S. Grace & A.-R. Glaap (Eds.), Performing National Identities: International Perspectives on Contemporary Canadian Theatre (pp. 70-80). Vancouver: Talonbooks.
  11. 23. Maufort, M. (2003). Introduction: Keying in to Postcolonial Cultures. In Keying in to Postcolonial Cultures: Contemporary Stage Plays in English (pp. 1-2). Trier: Wissenschaftlicher Verlag Trier.
  12. 24. Maufort, M., & Glaap, A.-R. (2003). Forging New Identities: Dramatic Challenges to the Canadian Multicultural Dream. In Keying in to Postcolonial Cultures: Contemporary Stage Plays in English (pp. 145-156). Trier: Wissenschaftlicher Verlag Trier.
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