Parties d'ouvrages collectifs (43)
22.
Maufort, M. (2003). Introduction: Keying in to Postcolonial Cultures. In Keying in to Postcolonial Cultures: Contemporary Stage Plays in English (pp. 1-2). Trier: Wissenschaftlicher Verlag Trier.
23.
Maufort, M., & Glaap, A.-R. (2003). Forging New Identities: Dramatic Challenges to the Canadian Multicultural Dream. In Keying in to Postcolonial Cultures: Contemporary Stage Plays in English (pp. 145-156). Trier: Wissenschaftlicher Verlag Trier.
24.
Maufort, M. (2003). Some Kind of Transition Place Between Heaven and Hell: George Walker’s Aesthetics of Hybridity in Heaven. In S. Grace & A.-R. Glaap (Eds.), Performing National Identities: International Perspectives on Contemporary Canadian Theatre (pp. 70-80). Vancouver: Talonbooks.
25.
Maufort, M., & Bellarsi, F. (2001). Siting the Other: Cross-cultural Re-visions of Marginality. In Siting the Other: Re-visions of Marginality in Australian and English-Canadian Drama (pp. 1-5). Brussels: P.I.E.-Peter Lang.
26.
Maufort, M., Heidelberger, I., & Tabah, M. (2000). Exorcisms of the Past: Avatars of the O’Neillian Monologue in Modern American Drama. In Wahlverwandtschaften in Sprache, Malerei, Literatur, Geschichte: Festschrift für Monique Boussart (pp. 213-224). Stuttgart: Verlag Hans-Dieter Heinz.
27.
Maufort, M. (1997). Union in Partition’: Studies in English Literatures. In Union in Partition: Essays in Honour of Jeanne Delbaere (pp. 7-9). Liège: L³ Press.
28.
Maufort, M. (1997). Power and the Literary Text. In Voices of Power (pp. 117-118). Liège: : L³ Press.
29.
Maufort, M., & van Noppen, J. P. (1997). 'A Rustle of Winds Blowing Across Two Continents': August Wilson’s Magic Realism as Expression of Empowerment. In Voices of Power (pp. 173-181). Liège: L³ Press.
30.
Maufort, M., & Debusscher, G. (1997). Exploring ‘the Other Side of the Dark: Judith Thompson’s Magic Realism. In “Union in Partition”: Essays in Honour of Jeanne Delbaere (pp. 191-200). Liège: L³ Press.
31.
Maufort, M. (1995). The Guises of Canadian Diversity: Introduction. In S. Jaumain & M. Maufort (Eds.), The Guises of Canadian Diversity: New European Perspectives (pp. 5-6). Amsterdam: Rodopi.
32.
Maufort, M. (1995). Cultural Pluralism in American Theatre and Drama: A Selected Bibliography”. Compiled with the assistance of Francine Lercangée and Myriam Lodeweyckx. In Staging Difference: Cultural Pluralism in American Theatre and Drama (pp. 375-387). New York: Peter Lang.
33.
Maufort, M. (1995). Staging Difference: A Challenge to the American Melting Pot. In Staging Difference: Cultural Pluralism in American Theatre and Drama (pp. 1-5). New York: Peter Lang.