Articles dans des revues avec comité de lecture (52)
42.
Maufort, M. (1988). Eugene O’Neill and Poetic Realism: Tragic Form in the Belgian Premiere of Long Day’s Journey into Night. Theatre survey, 29(1), 117-125.
43.
Maufort, M. (1988). Variations on an Obituary Motif in O’Neill’s Bound East for Cardiff and Hughie. Revue belge de philologie et d'histoire, 66(3), 602-612.
44.
Maufort, M. (1988). Eugene O’Neill’s Innovative Crafstmanship in the ‘Glencairn’ Cycle (1914-1917). The Eugene O’Neill newsletter, 12(1), 27-33.
45.
Maufort, M. (1988). Eugene O’Neill and the Emergence of American Drama. The Eugene O’Neill newsletter, 12(2), 46-52.
46.
Maufort, M. (1988). Mariners and Mystics: Echoes of Moby Dick in O’Neill. The Theatre annual, 43, 31-52.
47.
Maufort, M. (1987). Visions of the American Experience: the O’Neill-Melville Connection. Dissertation abstracts international. A. The humanities and social sciences, 47(10), 3758A.
48.
Maufort, M. (1987). Visions of the American Experience: the O’Neill-Melville Connection. Dissertation abstracts international. A. The humanities and social sciences, 48(3), 446-447C.
49.
Maufort, M. (1987). Visions du Nouveau Monde: Eugène O’Neill et Herman Melville. Revue belge de philologie et d'histoire, 65(4), 1003-1004.
50.
Maufort, M. (1987). The Tyrone Family in Bruges: a Belgian Long Day’s Journey into Night. The Eugene O’Neill newsletter, 11(2), 32-35.
51.
Maufort, M. (1987). The Legacy of Melville’s Pierre: Family Relationships in Mourning Becomes Electra. The Eugene O’Neill newsletter, 11(2), 23-28.
52.
Maufort, M. (1985). New Published Books about Eugene O’Neill. Revue belge de philologie et d'histoire, 63(3), 582-588.
Communications publiées lors de congrès ou colloques nationaux et internationaux (4)
1.
Maufort, M., & Coutinho, E. (2009). Voices of Otherness: Multicultural Dramaturgies in Contemporary New Zealand. In Identities in Process: Studies in Comparative Literature, (pp. 63-73). (Beyond Binarisms, 3). Rio de Janeiro: Aeroplano Editora,