Communications publiées lors de congrès ou colloques nationaux et internationaux (4)
  1. 2. Maufort, M., & Mildonian, P. (2009). Working at Intersections: the Vantage Point of Postcolonial Drama Studies. In It Started in Venice: Legacies, Passsages, Horizons. Fifty Years of ICLA, (pp. 185-191) Venise,: Libreria Editrice Cafoscarina.
  2. 3. Maufort, M., Gillespie, G., & Lorant, V. (1995). Like A Saint’s Vision of Beatitude: Vision and Narration in O’Neill. In The Force of Vision. Proceedings of the XIIIth Congress of the ICLA: Powers of Narration/Literary Theory,: Vol. 3 (pp. 179-186) Tokyo,: University of Tokyo Press.
  3. 4. Maufort, M., & Regard, F. (1995). In Landlessness Alone Resides the Highest Truth: Golding’s Sea Trilogy and the Melville Legacy. In Fingering Netsukes: Selected Papers from the First International William Golding Conference, (pp. 195-204) Saint-Etienne,: Presses de l’Université de Saint-Etienne.
    4.   Rapports de recherche, comptes rendus, lettres à l'éditeur, working papers (20)
  4. 1. Maufort, M. (2019). Le Comparatisme comme approche critique/Comparative Literature as a Critical Approach. Tome 5 : Local et mondial : circulations/Local and Global : Circulations, dirigé par Anne Tomiche et al. Recherche littéraire/Literary Research, 35(2019) , 361-366.
  5. 2. Maufort, M. (2013). Global Positioning Systems. Recherche littéraire/Literary Research, 29(57-58) , 74-77.
  6. 3. Maufort, M. (2012). Performing Gender Violence: Plays by Contemporary American Women Dramatists. European Journal of American Studies(2012).
  7. 4. Maufort, M. (2006). Playing Australia: Australian Theatre and the International Stage, co-édité par Elizabeth Shafer & Susan Bradley Smith. Antipodes, 20(1) , 103-104.
  8. 5. Maufort, M. (2003). The End of Exile?: O’Neill’s Long Day’s Journey into Night in Brussels.
  9. 6. Maufort, M. (2001). The Theatre of Louis Nowra par Veronica Kelly. New England theatre journal, 12 , 184-186.
  10. 7. Maufort, M. (2000). Post-Colonial Stages: Critical & Creative Views on Drama, Theatre and Performance, édité par Helen Gilbert. Essays in theatre, 19(1) , 82-84.
  11. 8. Maufort, M. (1998). On-Stage and Off-Stage: English Canadian Drama in Discourse, édité par A-R. Glaap & R. Althof. Zeitschrift fÉur Kanada-Studien, 18(1) , 185-186.
  12. 9. Maufort, M. (1998). The Cambridge Companion to Eugene O’Neill, edité par M. Manheim. Modern drama, 61(4) , 657-658.
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