Articles dans des revues avec comité de lecture (52)
6.
Maufort, M., & Gilbert, R. (2013). Introduction: Canadian Performances/Global Redefinitions. Theatre research in Canada, 34(1), 1-5.
7.
Gilbert, R., & Maufort, M. (2013). Introduction: Théâtre Canadien et redéfinitions planétaires. Theatre research in Canada, 34(1), 1-11.
8.
Maufort, M. (2011). Three Men and a Broken Mirror: the Tragedy of Richard III. Shakespeare in Southern Africa, 23, 79-80.
9.
Maufort, M. (2009). Journeys Towards Healing: Voice and Vision in Contemporary Multi-ethnic Drama in Canada. Comparative literature, 47, 29-50.
10.
Maufort, M. (2006). Listen to them cry out from their dreaming: Blak Inside and the Search for an Aboriginal Stage Aesthetic. Antipodes, 20(1), 56-62.
11.
Maufort, M. (2003). Negotiating ‘Otherness’: Conflict and Cooperation in Contemporary Asian Canadian Dramaturgies. Newsletter - Association for Canadian Theatre History, 27(1), 18-19.
12.
Maufort, M. (2001). A Passage to Belgium: George Walker’s Problem Child in Brussels. Canadian theatre review, 105, 20-23.
13.
Maufort, M. (2000). Unsettling Narratives: Subversive Mimicry in Australian Aboriginal Solo Performance Pieces. Antipodes, 14(2), 105-110.
14.
Maufort, M. (2000). Celebrating Paradises Lost: Echoes of Eugene O’Neill in David French’s ‘Mercer Cycle. Etudes canadiennes, 49, 97-107.
15.
Maufort, M. (2000). The Playwright as Modernist: Epiphanic Monologues in O’Neill’s Late Dramas. BELL. Belgian essays on language and literature, 12, 85-93.
16.
Maufort, M. (2000). Redrawing the Boundaries of Poetic Realism in Margaret Hollingsworth’s Drama. Canadian theatre review, 101, 40-43.
17.
Maufort, M. (2000). Dramatizing the North: Magic Realism in Judith Thompson’s Sled. Newsletter - Association for Canadian Theatre History, 24(1), 16-17.