Parties d'ouvrages collectifs (43)
  1. 1. Maufort, M. (2021). Staging the Ambiguities of Race: Polymorphous Indigenous Dramaturgies in Canada. In T. Morosetti & O. Okagbue (Eds.), The Palgrave Handbook of Theatre and Race (pp. 81-99). Cham: Palgrave.
  2. 2. Maufort, M. (2020). Revisiting the Past, Imagining the Future/ Aesthetic of Creolization in Post-apartheid South African Drama. In M. Maufort & J. Maufort (Eds.), Forays into Contemporary South African Theatre. Devising New Stage Idioms (pp. 183-205). Leiden and Boston: Brill/Rodopi.
  3. 3. Maufort, M., & Maufort, J. (2020). A Fraught Process: Devising New Stage Idioms for Post-apartheid South Africa. In M. Maufort & J. Maufort (Eds.), Forays into Contemporary South African Theatre. Devising New Stage Idioms (pp. 1-20). Leiden and Boston: Brill/Rodopi.
  4. 4. Maufort, M. (2019). "The place where I dance is an over place": Dreamworld Epistemologies in Contemporary Indigenous Drama. In B. Dieterle & M. Engel (Eds.), Historizing the Dream/Le rêve du point de vue historique (1 ed., pp. 349-364). Würzburg: Königshausen & Neumann.
  5. 5. Maufort, M. (2017). Indigenous Playwriting and Globalization. In D. Figueira & C. Mohan (Eds.), Literary Culture and Translation: New Aspects of Comparative Literature (1 ed., pp. 284-295). Delhi: Primus Books.
  6. 6. Homann, G., & Maufort, M. (2015). New Territories: Exploring the Post-apartheid Stage. In G. Homann & M. Maufort (Eds.), New Territories.: Theatre, Drama, and Performance in Post-apartheid South Africa (1 ed., pp. 11-21). Bruxelles: PIE-Peter lang.(Dramaturgies, 34).
  7. 7. Maufort, M. (2015). Negotiating the Post-apartheid Condition: Violence, Trauama and the Realist Aesthetic in Contemporary South African Drama. In G. Homann & M. Maufort (Eds.), New Territories: Theatre, Drama, and Performance in Post-apartheid South Africa (1 ed., pp. 241-260). Bruxelles: PIE-Peter lang.(Dramaturgies, 34).
  8. 8. Maufort, M. (2014). Performing the Spirit of the Earth: Mutlti-faceted Aesthetics of Ecology in Contemporary Indigenous Drama. In B. Dawes & M. Maufort (Eds.), Enacting Nature: Ecocritical Perspectives on Indigenous Performance (1 ed., pp. 235-254). Brussels: P.I.E. Peter Lang.(Dramaturgies, 33).
  9. 9. Maufort, M. (2014). Forging Native Idioms: Canadian and Australasian Performances of Indigeneity in an Age of Globalization. In L. Simonis & C. Moser (Eds.), Figuren des Globalen: Weltbezug und Welterzeugnung in Literatur, Kunst und Medien (1 ed., pp. 703-715). Göttingen: V&R unipress/Bonn University Press.
  10. 10. Dawes, B., & Maufort, M. (2014). A Chorus of Ecological Voices: Enacting Nature in Contemporary Indigenous Performance. In B. Dawes & M. Maufort (Eds.), Enacting Nature: Ecocritical Perspectives on Indigenous Performance (1 ed., pp. 11-19). Brussels: P.I.E. Peter Lang.(Dramaturgies, 33).
  11. 11. Maufort, M. (2013). Voices of Cultural Memory: Enacting History in Recent Native Canadian Drama. In Indigenous North American Drama: A Multivocal History. Albany: State University of New York Press.
  12. 12. Maufort, M. (2012). Positioning Alterity: Multi-Ethnic Identities in Contemporary New Zealand Drama. In Engaging with Literature of Commitment. The Worldly Scholar (1 ed., pp. 257-77). Amsterdam: Rodopi.
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