Parties d'ouvrages collectifs (77)
28.
Ginsburgh, V., Dewatripont, M., Legros, P., & Walckiers, A. (2008). Edition scientifique et pouvoir de marché. In J. Schopfel (Ed.), La publication scientifique : analyses et perspectives. Paris: Hermès Science - Lavoisier.(Traité des sciences et techniques de l'information. Série Environnements et services numériques d'information).
29.
Ginsburgh, V., & Weyers, S. (2008). Quantitative approaches to valuation in the arts, with an application to movies. In M. Hutter & D. Throsby (Eds.), Beyond price: value in culture, economics, and the arts (pp. 179-199). Cambridge: Cambridge University Press.(Murphy Institute studies in political economy). doi:10.1017/CBO9780511793820.012
30.
Ginsburgh, V. (2008). Multilingualism. In L. Blume & S. N. Durlauf (Eds.), The new Palgrave dictionary of economics. Houndmills, Basingstoke: Palgram Macmillan.
31.
Ginsburgh, V., & Weyers, S. (2008). On the contemporaneousness of Roger de Piles’ Balance des Peintres. In Sublime Economy: On the intersection of art and economics (pp. 112-123). Taylor and Francis. doi:10.4324/9780203890578-11
32.
Ginsburgh, V., & Weber, S. (2007). La connaissance des langues en Belgique. In M. Castanheira De Moura & J. Hindriks (Eds.), Réformer sans tabous: dix questions pour la Belgique de demain. Brussels: De Boeck.
33.
Ginsburgh, V. (2007). The economic consequences of droit de suite in the European Union. In R. Towse (Ed.), Recent developments in cultural economics (pp. 384-393). Cheltenham: Edward Elgar.(The International library of critical writings in economic series, 205).
34.
Ginsburgh, V., & Benhamou, F. (2006). Copies of artworks: the case of paintings and prints. In V. Ginsburgh & D. Throsby (Eds.), Handbook of the economics of art and culture. Amsterdam: Elsevier.
35.
Ginsburgh, V., Mei, J., & Moses, M. (2006). On the computation of art indices in art. In V. Ginsburgh & D. Throsby (Eds.), Handbook of the economics of art and culture. Amsterdam: Elsevier.
36.
Ginsburgh, V. (2005). Droit de suite: an economic viewpoint. In D. Kusin & C. Mc Andrew (Eds.), The Modern and Contemporary Art market. Helvoirt: The European Fine Art Foundation.(European art market reports).
37.
Benhamou, F., & Ginsburgh, V. (2004). Is there a market for copies. In G. Mossetto & M. Vecco (Eds.), The economics of copying and counterfeiting. Milano: FrancoAngeli.
38.
Ginsburgh, V. (2003). La consolidation des comptes. In F. Khrouz (Ed.), Comptabilité (pp. 351-429). Bruxelles: Office International de Librairie.
39.
Ginsburgh, V. (2003). Art markets. In R. Towse (Ed.), A handbook of cultural economics (pp. 40-56). Cheltenham: Edward Elgar. doi:10.4337/9781781008003.00010