Rapports de recherche, comptes rendus, lettres à l'éditeur, working papers (67)
54.
Ginsburgh, V., & Weyers, S. (2004). Comparing artistic values: the example of movies.
55.
Ginsburgh, V., & Zang, I. (2004). Competitive mixed bundling.
56.
Ginsburgh, V., Legros, P., & Sahuguet, N. (2004). How to win twice at auction: on the incidence of commissions in auctions. (Working Papers No 2004.146). Fondazione Eni Enrico Mattei.
57.
Ginsburgh, V., & Benhamou, F. (2004). Copies of artworks.
58.
Ginsburgh, V., & Weyers, S. (2004). Quantitative approaches to valuation in the arts.
59.
Ginsburgh, V., & van Ours, J. (2004). The dynamics of declining prices in sequential auctions.
60.
Champarnaud, L., Ginsburgh, V., & Michel, P. (2002). Can cultural education crowd out subsidization. (CORE Discussion Paper, No 2002/40).
61.
Ginsburgh, V., & Keyzer, M. (1994). Existence and efficiency properties of an approximate equilibrium when asset markets are incomplete: a welfare approach. (CORE Discussion Paper, No 9430).
62.
Ginsburgh, V., Monzak, M., & Monzak, A. (1992). Red wines of Medoc: what is wine tasting worth? (CEME Working papers No 9207). Bruxelles: Universite Libre de Bruxelles - C.E.M.E.
63.
Ginsburgh, V., & Buelens, N. (1992). Revisiting Baumol's Art as floating crap game. (CEME Working papers No 9204). Bruxelles: Universite Libre de Bruxelles - C.E.M.E.
64.
Ginsburgh, V., Gassner, M., & Leruth, L. (1992). A note on competition in the presence of congested goods. (CEME Working papers No 9206). Bruxelles: Universite Libre de Bruxelles - C.E.M.E.
65.
Ginsburgh, V. (1991). William D. Grampp, pricing the priceless: art, artists, and economics. Journal of Economic Literature, 29 , 1219-1220.