Articles dans des revues avec comité de lecture (134)

  1. 71. Ginsburgh, V., & Bauwens, L. (2000). Art experts and auctions : are pre-sale estimates unbiased and fully informative. Recherches économiques de Louvain,(66), 131-144.
  2. 72. Anderson, S. P., & Ginsburgh, V. (1999). International pricing with costly consumer arbitrage. Review of International Economics, 7(1), 126-139. doi:10.1111/1467-9396.00151
  3. 73. Flôres Jr., R. G., Ginsburgh, V., & Jeanfils, P. (1999). Long- and short-term portfolio choices of paintings. Journal of cultural economics, 23(3), 193-210.
  4. 74. Flores Galvao, R., Ginsburgh, V., & Jeanfils, P. (1999). Long and short-term portfolios of paintings. Journal of Cultural Economics, 23, 193-210.
  5. 75. Ginsburgh, V., & Weyers, S. (1999). On the perceived quality of movies. Journal of Cultural Economics, 23, 269-283.
  6. 76. Ginsburgh, V., & Michel, P. (1998). Optimal policy business cycles. Journal of Economic Dynamics and Control, 22(4), 503-518. doi:10.1016/s0165-1889(97)00074-2
  7. 77. Ginsburgh, V. (1998). Absentee bidders and the declining price anomaly in wine auctions. Journal of Political Economy, 106(1), 1302-1322. doi:10.1086/250048
  8. 78. Ginsburgh, V., & Waelbroeck, P. (1998). The EC and real estate rents in Brussels. Regional Science and Urban Economics, 28(4), 497-511. doi:10.1016/S0166-0462(97)00045-8
  9. 79. Ginsburgh, V., & Penders, A.-F. (1997). Land artists and art markets. Journal of cultural economics, 21(3), 219-228.
  10. 80. Ginsburgh, V., & Weber, S. (1997). On the efficiency of retaliation rules in international trade. France. Institut National de la Statistique et des Etudes Economiques. Annales d'Economie et de Statistique, 47, 51-63.
  11. 81. Ginsburgh, V., & Mairesse, F. (1997). Defining a museum: suggestions for an alternative approach. International journal of museum management and curatorship, 16, 15-33.
  12. 82. Chanel, O., Gérard-Varet, L.-A., & Ginsburgh, V. (1996). The relevance of hedonic price indices: the case of paintings. Journal of Cultural Economics, 20, 1-24.

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