Parties d'ouvrages collectifs (76)

  1. 15. Ginsburgh, V., & Weber, S. (2013). Culture, languages, and economics. In V. Ginsburgh & D. Throsby (Eds.), Handbook of the Economics of Art and Culture. Amsterdam: Elsevier.(Handbooks in economics, 25).
  2. 16. Ginsburgh, V., & Mairesse, F. (2013). Issues in the International Market for Cultural Heritage. In I. Rizzo & A. Mignosa (Eds.), Handbook on the economics of cultural heritage. Cheltenham, UK: Edward Elgar. doi:10.4337/9780857931009.00016
  3. 17. Ginsburgh, V. (2013). Mark Blaug and the Economics of the Arts. In M. Boumans & M. Klaes (Eds.), Mark Blaug : rebel with many causes. Cheltenham: Edward Elgar. doi:10.4337/9781783471232.00022
  4. 18. Ginsburgh, V., & Mairesse, F. (2012). The economics of art history. In A. Pinotti, M. Rampley, T. Lenain, C. Schoell-Glass, K. Zijlmans, & H. Locher (Eds.), Art History and Visual Studies in Europe. Leiden: Brill.
  5. 19. Ginsburgh, V., & Mairesse, F. (2012). Dimensions of dialogue: Art history and the discourse of economics. In M. Rampley, T. Lenain, H. Locher, A. Pinotti, C. Schoell-Glass, & K. Zijlmans (Eds.), Art history and visual studies in Europe : transnational discourses and national frameworks, Art History and Visual Studies in Europe. Leiden ; Boston: Brill.(Brill's studies in intellectual history ; Brill's studies on art, art history, and intellectual history, 212 ; 4).
  6. 20. Ginsburgh, V., & Weyers, S. (2011). De l'(in)efficacité des concours et des prix. In D. Lories & R. Dekoninck (Eds.), L'art en valeurs. Paris: L'Harmattan.(Esthétiques).
  7. 21. Ginsburgh, V. (2011). Resale Rights. In R. Towse (Ed.), A Handbook of Cultural Economics (2 ed., pp. 394-400). Cheltenham: Edward Elgar.(Edward Elgar Publishing).
  8. 22. Ginsburgh, V., Fidrmuc, J., & Weber, S. (2010). Scenarios Beyond Unanimity. Could a Qualified Majority of Member States alleviate the Burden of Multilingualism in Europe? In D. Hanf, K. Malacek, & E. Muir (Eds.), Langues et construction européenne, Langues et construction européenne. Bruxelles: Peter Lang.(Cahiers du Collège d'Europe).
  9. 23. Ginsburgh, V., Hambersin, M., & Plasman, R. (2009). Le Public d'Ars Musica. In S. Martin (Ed.), Ars musica : 20 ans d'aventures musicales (pp. 133-142). Wavre: Mardaga.(Musique, musicologie).
  10. 24. Ginsburgh, V., & Weyers, S. (2008). Consensus ou diversité: une mise en perspective de la critique littéraire en France. In X. Greffe & N. Sonnac (Eds.), Culture Web : création, contenus, économie numérique. Paris: Dalloz.(Dalloz gestion).
  11. 25. Ginsburgh, V., & Weyers, S. (2008). Quantitative approaches to valuation in the arts, with an application to movies. In M. Hutter & D. Throsby (Eds.), Beyond price: value in culture, economics, and the arts (pp. 179-199). Cambridge: Cambridge University Press.(Murphy Institute studies in political economy). doi:10.1017/CBO9780511793820.012
  12. 26. Ginsburgh, V. (2008). Multilingualism. In L. Blume & S. N. Durlauf (Eds.), The new Palgrave dictionary of economics. Houndmills, Basingstoke: Palgram Macmillan.

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