Article révisé par les pairs
| Résumé : | Theatre, inherently hypermedial, has always drawn from diverse arts. Today, the irruption of the non-actor, whose corporeality can be simulated through various technologies, generates a non-spectator who experiences an immediate perception. From this perspective, digital operators —technobody, technodramaturgy, technotext— free the stage from the text, yet simultaneously can provoke a crisis of representation by dissociating bodies and voices. This breaks with theatrical principles like co-presence, as the body is modelled by sophisticated technological interactions and substituted by visual simulacra. Furthermore, this blurs the line between the virtual and the real. Nevertheless, the biological body maintains its relevance, as the digital doesn’t nullify the physical body, but rather reconstructs it, proposing new states of the body. |
