par Lamas Delgado, Eduardo
Editeur scientifique Quiles, Fernando;López, María del Pilar
Référence Barroco vivo, Barroco continuo, UPO/Universidad Nacional de Colombia, Sevilla/Bogotá, Ed. 1, page (90-109)
Publication Publié, 2019
Partie d'ouvrage collectif
Résumé : This paper deals on the transfer of a part of the artistic production in Seville to Cadiz during thesecond half of the seventeenth century, due to the economical, commercial and social development ofthe former and due to the art market crisis in Seville around 1680 and to the decadence of its harbour.On this purpose, the paper gathers and analyses different data about the painters and sculptors fromSeville who settled down in Cádiz during this period. As conclusion, it proposes to link the appealexercised by the city and its port with the activities of these artists as dealers on the American market,as well as on general market. We point out to the reader that this paper is an updated adaptationtranslated from French to Spanish of a precedent one on the painter Bernabé de Ayala (Jerez, c.1625/post. 1689).