Articles dans des revues avec comité de lecture (40)
13.
Picron, C. (2000). Divine Images from Bodh Gaya to Gaur: The Art of Eastern India in the Museum of Indian Art. Orientations, 31(9), 53-60.
14.
Picron, C. (2000). The Los Angeles manuscript covers: uncovering and explaining their iconography. Journal of Bengal art, 5, 95-128.
15.
Picron, C. (1999). Buddhist Painting during the reign of Harivarmadeva (end of the 11th c.) in Southeast Bangladesh. Journal of Bengal art, 4, 159-197.
16.
Picron, C. (1998). Lumière et obscurité: L'Éveil de Shâkyamuni et la victoire sur Mâra. A.I.O.N. Annali dell'Istituto Universitario Orientale di Napoli. Dipartimento di studi del mondo classico e del Mediterraneo Antico. Sezione filologico-letteraria, 58(1-2), 1-49.
17.
Picron, C. (1998). The art of Eastern India in the collection of the Museum für Indische Kunst. Indo-asiatische Zeitschrift, 2, 4-19.
18.
Picron, C. (1996). From God to Demon, from Demon to God: Brahmâ and other Hindu deities in Late Buddhist Art of Eastern India. Journal of Bengal art, 1, 109-135.
19.
Picron, C. (1995). The Art of Eastern India in the Avery Brundage Collection: Asian Art Museum of San Francisco. Arts of Asia, 25(4), 45-56.
20.
Picron, C. (1995). Shâkyamuni in Eastern India and Tibet from the 11th to the 13th centuries. Silk Road art and archaeology, 4, 355-408.
21.
Picron, C. (1993). Crying Leaves: Some Remarks on the. East and west, 43(1-4), 277-294.
22.
Picron, C. (1991). Lakhi Sarai: An Indian Site of Late Buddhist Iconography and Its Position within the Asian Buddhist World. Silk Road art and archaeology, 2, 293-284.
23.
Picron, C. (1990). The Nimbus in India up to the Gupta Period. Silk Road art and archaeology, 1, 81-97.
24.
Picron, C. (1990). The Goblet d'Alviella Tomb at Court-Saint-Etienne (Belgium). Cambridge South Asian Studies, 6, 157-162.