Parties d'ouvrages collectifs (38)
  1. 3. Picron, C. (2009). The presence of the five dreams of the Bodhisatta in the Murals of Pagan. In C. Picron (Ed.), The Indian Night: Dream and Sleep in Indian Culture (pp. 418-451). New Delhi: Rupa and Co.
  2. 4. Picron, C. (2009). Three more Folios from the Harivarmadeva Manuscript: dated regnal Year 8. In S. Husne Jahan & A. K. Kanungo (Eds.), Abhijnân, Studies in South Asian Archaeology and Art History of Artefacts: Felicitating A.K.M. Zakariah (pp. 118-121). Oxford: BAR International Series 1974.(South Asian Archaeology Series, 10).
  3. 5. Picron, C. (2009). The “Vredenburg manuscript” and its book-covers. In U. Bhatia, A. Nath Khanna, & V. Sharma (Eds.), The Diverse World of Indian Painting, Vichitra-Visva: Essays in Honour of Dr. Vishwa Chander Ohri (pp. 1-15). New Delhi: Aryan Books International.
  4. 6. Picron, C. (2009). The Vishnu Image from Sarisadah in the Indian Museum, Kolkata. In A. Banerjee & G. J. Mevissen (Eds.), Prajnâdhara: Essays on Asian Art History, Epigraphy and culture in Honour of Gouriswar Bhattacharya (pp. 273-280). New Delhi: Kaveri Books.
  5. 7. Picron, C. (2008). Antagonistes et complémentaires: le lion et l’éléphant dans la personnalité du Buddha. In N. Balbir & G.-J. Pinault (Eds.), Penser, dire et représenter l’animal dans le monde indien (pp. 523-572). Paris: Librairie Honoré Champion.(Bibliothèque de l’École des Hautes Études, Sciences historiques et philologiques, 345).
  6. 8. Picron, C. (2008). The Buddha and his Symbols. In Gandhara: The Buddhist Heritage of Pakistan, Legends, Monasteries, and Paradise (pp. 164-169). Mainz: Verlag Philipp von Zabern.(Kunst- und Austellungshalle der Bundesrepublik Deutschland).
  7. 9. Picron, C. (2008). Der Buddha und seine Symbole. In Gandhara, Das Buddhistische Erbe Pakistans, Legende, Klöster und Paradiese (pp. 164-169). Mainz: Verlag Philipp von Zabern.(Kunst- und Austellungshalle der Bundesrepublik Deutschland).
  8. 10. Picron, C. (2008). Das Bild des Buddha. In Gandhara, Das Buddhistische Erbe Pakistans, Legende, Klöster und Paradiese (pp. 179-183). Mainz: Verlag Philipp von Zabern.(Kunst- und Austellungshalle der Bundesrepublik Deutschland).
  9. 11. Picron, C. (2008). The Image of the Buddha. In Gandhara: The Buddhist Heritage of Pakistan, Legends, Monasteries, and Paradise (pp. 179-183). Mainz: Verlag Philipp von Zabern.(Kunst- und Austellungshalle der Bundesrepublik Deutschland).
  10. 12. Picron, C. (2008). The Emaciated Buddha in Southeast Bangladesh and Pagan (Myanmar). In C. Picron (Ed.), Miscellanies about the Buddha Image (pp. 77-96). Oxford: BAR International Series 1888.
  11. 13. Picron, C. (2007). El Buda: sus representaciones y el poder que encierran. In J. G. V. Guy (Ed.), La esulptura en los templos indios – el arte de la devoción (“Indian Temple Sculpture. The Art of Devotion”) (pp. 119-127). Londres / Barcelone: Victoria & Albert Museum / Fundació “la Caixa”.
  12. 14. Picron, C. (2007). The hidden God: Some Remarks on Yama and the Protectors of the sacred Space in Buddhist Art. In G. Bhattacharya & G. J. Mevissen (Eds.), Kalhâr (white water-lily): Studies in Art, Iconography, Architecture and Archaeology of Indian and Bangladesh (Prof. Enamul Haque Felicitation Volume) (pp. 81-95). New Delhi: Kaveri Books.
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