Parties d'ouvrages collectifs (33)
  1. 19. Den Tandt, C. (2004). Brussels’s Manhattan Project: The International Style and the Americanization of European Urban Space. In V. Béghain & M. Chénetier (Eds.), The Cultural Shuttle: The United States in/ of Europe (pp. 109-120). Amsterdam: VU Press.
  2. 20. Den Tandt, C. (2003). Staccato, Swivel and Glide: A Poetics of Early Rock ‘n’ Roll Lyrics. In M. Delville & C. Pagnoulle (Eds.), Sound as Sense: Contemporary US poetry &/in Music (pp. 79-92). Bruxelles-Bern-Berlin-New York: P.I.E.-Peter Lang.(New Comparative Poetics, 11).
  3. 21. Den Tandt, C. (2003). Beyond the Postmodern Moment. In J. P. van Noppen, I. Tudor, & C. Den Tandt (Eds.), Beyond: New Perspectives in Linguistics, Literary Studies and English Language Teaching (pp. 85-90). Gand: Academia Press.(Belgian Journal of English Language and Literatures).
  4. 22. Den Tandt, C. (2003). Pragmatic Commitments: Postmodern Realism in Don DeLillo, Maxine Hong Kinsgton and James Ellroy. In K. Stierstorfer (Ed.), Beyond Postmodernism: Reassessments in Literature, Theory, and Culture (pp. 121-142). Berlin-New York: Walter de Gruyter.
  5. 23. Den Tandt, C. (2001). Cultural Studies and the Realist Paradigm, from Georg Lukács to Neo-Pragmatism. In B. Keunen & B. Eeckhout (Eds.), Literature and Society: The Function of Literary Sociology in Comparative Literature (pp. 113-131). Bruxelles: Peter Lang.(Nouvelle poétique comparatiste, 2).
  6. 24. Den Tandt, C. (2001). Hollywood Courtroom Dramas: The Politics of Judicial Realism. In H. Porsdam (Ed.), Folkways and Law Ways: Law in American Studies (pp. 183-204). Odense: Odense University Press.
  7. 25. Den Tandt, C. (2000). Postmodern Victorianism: Contemporary Representations of the Pre-Modernist Century. In I. Heidelberger & M. Tabah (Eds.), Wahlverwandschaften in Sprache, Malerei, Literatur, Geschichte; Festschrift für Monique Boussart (pp. 291-303). Stuttgart: Verlag Hans-Dieter Heinz.
  8. 26. Den Tandt, C. (1999). Dylan Goes Electric: Inventing a Lyrical Idiom for the Postmodern Distraction Factory. In M. Delville & C. Pagnoulle (Eds.), The Mechanics of the Mirage (pp. 213-226). Liège: L3.
  9. 27. Den Tandt, C. (1999). Down these (Gender Divided and Ethnically Fractured) Mean Streets: The Urban Thriller in the Age of Multiculturalism. In D. De Meyer, K. Borret, B. Eeckhout, S. Jacobs, & B. Keunen (Eds.), The Urban Condition: Space, Community and Self in the Urban Metropolis (pp. 392-406). Rotterdam: 010 Publishers.
  10. 28. Den Tandt, C. (1998). James Ellroy. In Post-war Literatures in English: Lexicon of Contemporary Authors (pp. 1-14). Brill.(Martinus Nijhoff).
  11. 29. Den Tandt, C. (1998). Multiculturalist Thrillers: Minority Detective Fiction and the Chandlerian Legacy. In G. Lernout & M. Maufort (Eds.), Interpreting Minority: A Comparative Approach (pp. 111-135).(ALW-Cahier, 19).
  12. 30. Den Tandt, C. (1997). William Gibson. In Post-war Literatures in English: Lexicon of Contemporary Authors (pp. 1-15). Brill.
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