Parties d'ouvrages collectifs (33)
7.
Den Tandt, C. (2011). A New Local Color? Mapping the Strategies of Realism at the Turn of the Twenty-First Century. In M. Maufort & C. De Wagter (Eds.), The Old Margins and New Centers of the European Literary Heritage (pp. 201-13).
8.
Den Tandt, C. (2011). Dialogical Realism in Contemporary Anglo-American Fiction, Television, and Film. In M. Conejero (Ed.), Con/Texts of Persuasion (pp. 110-125). Reichenberger.
9.
Den Tandt, C. (2011). Refashioning American Literary Naturalism : Critical Trends at the Turn of the Twenty-First Century. In K. Newlin (Ed.), Refashioning American Literary Naturalism (pp. 404-23). Oxfard: Oxford UP: The Oxford Handbook of American Literary Naturalism. doi:10.1093/oxfordhb/9780195368932.013.0024
10.
Den Tandt, C. (2009). “It Did Happen Here”: Faschismus und Totalitarismus in angloamerikanischen Alternativgeschichten: [“It Did Happen Here”: Fascisme et totalitarisme dans la fiction d'histoire alternative anglo-américaine]. In M. Tabah, S. Weiler, & C. Poetini (Eds.), Gedächtnis und Widerstand: Festschrift für Irene Heidelberger-Leonard. Tuebingen: Stauffenburg.
11.
Den Tandt, C. (2009). Graphic Evidence: The Referential Value of Photographs in Crime Fiction and Film. In K. Gorus, P. Lennon, & N. Reumkens (Eds.), Literature and the Pictorial Arts in the 20th Century (pp. 35-52). Bruxelles: Word and Image.
12.
Den Tandt, C., & Tabah, M. (2007). La culture de l’Autre/ l’Autre dans la culture : Approches théoriques de l’altérité. In C. Den Tandt & M. Tabah (Eds.), Altérités: nouvelles approches de la culture, de la représentation et de la différence (pp. 31-32). Bruxelles.(Degrès :Revue de la synthèse à orientation sémiologique, 131-32).
13.
Den Tandt, C. (2007). Une avant-garde populaire?: Musique rock, postmodernisme et culture de masse. In C. Den Tandt & M. Tabah (Eds.), Altérités: nouvelles approches de la culture, de la représentation et de la différence (pp. 23-24). Bruxelles.(Degrès : Revue de la synthèse à orientation sémiologique, 131-32).
14.
Den Tandt, C. (2005). Pluralism and Cultural Memory. In C. Den Tandt & G. Debusscher (Eds.), Reading Without Maps? Cultural Landmarks in a Post-Canonical Age: A Tribute to Gilbert Debusscher (pp. 17-32). Bruxelles: P.I.E.-Peter Lang.(Nouvelle poétique comparatiste, 17).
15.
Den Tandt, C. (2005). Men at Work: Musical Craftsmanship, Gender, and Cultural Capital in Classic Rock Canon. In C. Den Tandt & G. Debusscher (Eds.), Reading Without Maps? Cultural Landmarks in a Post-Canonical Age: A Tribute to Gilbert Debusscher (pp. 379-400). Bruxelles: P.I.E.-Peter Lang.(Nouvelle poétique comparatiste, 17).
16.
Den Tandt, C. (2005). Return to Mimesis? Georg Lukács and Eric Auerbach in the Wake of Postmodernity. In K. Stierstorfer (Ed.), Return to postmodernism : theory, travel writing, autobiography : festschrift in honour of Ihab Hassan (pp. 61-78). Heidelberg: Universitätsverlag.(Anglistische Forschungen, 354).
17.
Den Tandt, C. (2005). American Literary Naturalism. In R. P. Lamb & G. R. Thompson (Eds.), A Companion to American Fiction, 1865-1914 (pp. 96-118). Malden: Blackwel.(Blackwell Companions to Literature and Culture). doi:10.1002/9780470996829.ch6
18.
Den Tandt, C. (2004). Teaching Postmodernism in a Non-Postmodern Context. In L. Volkmann & K. Stierstorfer (Eds.), Teaching Postmodernism / Postmodern Teaching (pp. 169-180). Tübingen: Stauffenburg Verlag.