Ouvrages publiés à titre de seul auteur (1)
  1. 1. Wynants, N. (2017). De binnenkant van het beeld: immersie en theatraliteit in de kunsten. MER. Paper Kunsthalle.
    2.   Ouvrages édités à titre de seul éditeur ou en collaboration (4)
  2. 1. Wynants, N., Bessemans, A. A., Doom, M., & Merkx, F. (2020). OVERLAP: The No Mans Land between Art & Science. Den Hague: Uitgeverij Komma.
  3. 2. Wynants, N. (2020). When Fact is Fiction. Documentary Art in the Post-Truth Era. Amsterdam: VALIZ.
  4. 3. Wynants, N. (2019). Media archaeology and intermedial performance: Deep time of the theatre. Palgrave Macmillan.
  5. 4. Le Roy, F., Wynants, N., Hoens, D., & Vanderbeeken, R. (2011). Tickle your catastrophe! Imagining catastrophe in art, architecture and philosophy. Academia Press.
    6.   Parties d'ouvrages collectifs (13)
  6. 1. Wynants, N. (2020). Spectacular Science: Technology, Experience and Pleasure at the 19th century Fair. In A. A. Bessemans, M. Doom, F. Merkx, & N. Wynants (Eds.), OVERLAP: The No Mans Land between Art & Science. Den Haag: Uitgeverij Komma.
  7. 2. Wynants, N. (2020). Dissolving Visions: from Slide Adaptation to Artistic Appropriation in Magic Lantern Practices. In S. Dellmann & F. K. Kessler (Eds.), A Million Pictures: Magic Lantern Slides in the History of Learning. New Barnet: John Libbey Publishing.(KINtop Studies in Early Cinema).
  8. 3. Wynants, N. (2020). Imaginations of Reality: Past, Present and Future in a Fictional Framework. In N. Wynants (Ed.), When Fact is Fiction. Documentary Art in the Post-Truth Era (pp. 25-34). Amsterdam: VALIZ.(Antennae/Arts in Society).
  9. 4. Wynants, N. (2019). Media-archaeological approaches to theatre and performance: an introduction. In N. Wynants (Ed.), Media archaeology and intermedial performance: deep time of the theatre (pp. 1-22). Palgrave Macmillan.(Avant-gardes in performance).
  10. 5. Wynants, N. (2019). Mediated visions of life: an archaeology of microscopic theatre. In N. Wynants (Ed.), Media archaeology and intermedial performance: deep time of the theatre (pp. 253-272).(Avant-gardes in performance).
  11. 6. Vanhoutte, K., & Wynants, N. (2018). Magie, science et apparences: le théâtre d'Henri Robin. In F. K. Kessler, J.-M. Larrue, & G. Pisano (Eds.), Machines. Magie. Médias. Presses Universitaires du Septentrion.(Arts du spectacle – Images et sons).
  12. 7. Wynants, N. (2018). Dissection de la camera: les positions bougent entre le theatre et la science. In J. Feral (Ed.), L'acteur face aux ecrans: corps en scene (pp. 213-226). Editions l'Entretemps.(Les voies de l'acteur).
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