Parties d'ouvrages collectifs (13)
  1. 8. Wynants, N. (2017). Spectral illusions: Ghostly presence in phantasmagoria shows. In Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance (pp. 207-220). Palgrave Macmillan. doi:10.1057/978-1-137-36604-7_16
  2. 9. Wynants, N. (2011). Digging up the device: revival of the camera obscura in Joanna Bailie & Christophe Ragg's C.O. Journeys. In E. Van Campenhout (Ed.), IT, thingly variations in space. Mokum.
  3. 10. Wynants, N. (2011). Landschapstheater in kaart: van tekstueel tot virtueel landschap. In C. Swyzen (Ed.), Het statuut van de tekst in het postdramatische theater. UPA.
  4. 11. Vanhoutte, K., & Wynants, N. (2010). Modes of experience: immersion. In S. Bay-Cheng (Ed.), Mapping intermediality in performance (pp. 47-49).
  5. 12. Vanhoutte, K., & Wynants, N. (2010). Instance: the work of CREW with Eric joris. In S. Bay-Cheng (Ed.), Mapping intermediality in performance (pp. 69-75). Amsterdam University Press.
  6. 13. Vanhoutte, K., & Wynants, N. (2009). Pending presence: negotiating the space inbetween. In R. Van Klaveren (Ed.), Space cowboys: how art creates, networks and visualises hybrid spaces (pp. 58-72). Media and Design Academy.
    7.   Articles dans des revues avec comité de lecture (17)
  7. 1. Wynants, N. (2020). Wetenschap op de kermis: De verspreiding van technologie, kennis en spektakel in Belgische provinciesteden tijdens het fin-de-siècle. Volkskunde, 1, 1, 1-33.
  8. 2. Wynants, N. (2020). The travelling lantern: the Courtois and Grandsart-Courtois family theatres as transcultural mediators at the nineteenth-century fair. Early popular visual culture, 17(3-4), 1, 233-260. doi:10.1080/17460654.2019.1705649
  9. 3. Wynants, N. (2020). Invisible hands in the history of the magic lantern: where theatre studies and media archaeology meet. Early popular visual culture, 18(4), 422-447. doi:10.1080/17460654.2021.2016213
  10. 4. Wynants, N., & Gielen, P. (2019). In Quest of the Humanities (Again): what we can learn from research in the arts. Documenta, 35(1), 159-186.
  11. 5. Wynants, N. (2019). Jouer ou ne pas jouer : Limites d’une dramaturgie interactive. Critical stages (Paris), 19.
  12. 6. Wynants, N., & Gielen, P. (2018). De queeste van de menswetenschappen: lessen uit het onderzoek in de kunsten. FORUM+, 25(1), 4-16.
    13. << Précédent 1 2 3 4 5 6 Suivant >>