Ouvrages publiés en collaboration (2)
1.
Barthel-Calvet, A.-S., & Murray, C. (2022). Revisiting the Historiography of Postwar Avant-Garde Music. doi:10.4324/9781315108162
2.
Balmer, Y., Lacôte, T., & Murray, C. (2017). Le modèle et l'invention : Olivier Messiaen et la technique de l'emprunt. Lyon: Symétrie.
Ouvrages édités à titre de seul éditeur ou en collaboration (2)
1.
Barthel-Calvet, A.-S., & Murray, C. (2022). New Music Networks: Critical Historiographies of the Postwar Avant-Garde. Routledge.
2.
Cornaz, M., Dufour, V., & Murray, C. (2016). Musical Life in Belgium During The Second World War. Bruxelles: Société belge de musicologie.
Parties d'ouvrages collectifs (15)
1.
Murray, C. (2021). Messiaen and the Paris Conservatoire. In R. Sholl (Ed.), Messiaen in Context. Cambridge University Press.
2.
Murray, C. (2022). Resituating Olivier Messiaen's Musical Exoticism. In A.-S. Barthel-Calvet & C. Murray (Eds.), New Music Networks: Critical Historiographies of the Postwar Avant-Garde. Routledge.
3.
Murray, C. (2022). The Songs of Koma Pio and Hele Marsiale in Olivier Messiaen’s Île de feu Etudes. In Revisiting the Historiography of Postwar Avant-Garde Music (pp. 83-110). Taylor and Francis. doi:10.4324/9781315108162-5
4.
Murray, C. (2020). Before the End of Time: General Huntziger's Centre musical et théâtral. In P. Potter, C. L. Baade, & R. Montemorra Marvin (Eds.), Music in World War II : Coping with Wartime in Europe and the United States (pp. 172-196). Bloomington, Indiana: Indiana University Press.
5.
Murray, C. (2019). The Dukas composition class at the Paris Conservatoire. In Paul Dukas: Legacies of a French Musician (pp. 110-130). Taylor and Francis. doi:10.4324/9780203701621
6.
Murray, C. (2019). Music Criticism in France Since the Second World War. In C. Dingle (Ed.), The Cambridge History of Music Criticism (pp. 648-670). Cambridge: Cambridge University Press.
7.
Balmer, Y., Lacôte, T., & Murray, C. (2018). Jolivet Revisited: Messiaen's Borrowings from the Works of the 1930s. In C. Rae (Ed.), André Jolivet: Music, Art and Literature (pp. 173-193). Routledge.
8.
Balmer, Y., & Murray, C. (2018). De l'harmonie à la composition : Messiaen prophète de son propre style. In L. Feneyrou & A. Poirier (Eds.), De la Libération au Domaine musical : Dix ans de musique en France (1944-1954) (pp. 180-198). Paris: Vrin.