Parties d'ouvrages collectifs (9)
  1. 1. Williams, D. (2019). Les images de la cité - The Vase Painter's Gaze. In J. M. Barringer (Ed.), Images at the Crossroads: Media and Meaning in Greek Art (pp. 127-178). Edinburgh: Edinburgh University Press.(Edinburgh Leventis Studies).
  2. 2. Williams, D. (2019). Villard and the Campana Collection: Euphronios and Smikros. In F. Gaultier, P. Rouillard, & A. Rouveret (Eds.), Céramique et peinture grecque dans la Méditerranée antique, du terrain au musée: Hommage à François Villard (pp. 161-189). Paris: de Boccard.
  3. 3. Massar, N., & Williams, D. (2017). Fun and Games at the Symposion: A Corinthian thauma in Brussels. In V. Vlachou & A. Gadolou (Eds.), Fun and Games at the Symposion: A Corinthian thauma in Brussels, Terpsis. Studies in Mediterranean Archaeology in honour of Nota Kourou (1 ed., pp. 229-246). Bruxelles: V. VLACHOU et A. GADOLOU.(Etudes d'archéologie, 10).
  4. 4. Massar, N., & Williams, D. (2017). Fun and Games at the Symposion: A Corinthian thauma in Brussels. In V. Vlachou & A. Gadolou (Eds.), Fun and Games at the Symposion: A Corinthian thauma in Brussels, ΤΕΡΨΙΣ. Studies in Mediterranean Archaeology in Honour of Nota Kourou (pp. 229-246). Bruxelles: V. VLACHOU et A. GADOLOU.(Etudes d'archéologie, 10).
  5. 5. Williams, D. (2017). Beyond the Berlin Painter: Toward a Workshop View. In J. M. Padgett (Ed.), The Berlin Painter and His World: Athenian Vase-Painting in the Early Fifth Century B. C. (pp. 144-187). Princeton: Princeton University Art Museum.
  6. 6. Williams, D., & Massar, N. (2017). Fun and Games at the Symposium: A Corinthian thauma in Brussels. In V. V. V. Vlachou & A. Gadolou (Eds.), Terpsis, Studies in Mediterranean Archaeology in Honour of Nota Kourou (pp. 229-244). Bruxelles: de Boccard.
  7. 7. Williams, D. (2014). "To dream the impossible dream". In Approaching the Ancient Artifact: Representation, Narrative, and Function (pp. 297-310). Walter de Gruyter GmbH.
  8. 8. Williams, D. (2012). Lusieri in the Eastern Mediterranean (1800-1821). In A. Weston-Lewis (Ed.), Expanding Horizons, Giovanni Battista Luseri and the Panoramic (pp. 176-186). Edinburgh: Edinburgh National Galleries of Scotland.
  9. 9. Williams, D. (2002). "Of publick utility and publick property": Lord Elgin and the Parthenon Sculptures. In A. Tsingarida & D. C. Kurtz (Eds.), Appropriating Antiquity, Saisir l'Antique (pp. 103-164).
    10.   Articles dans des revues avec comité de lecture (6)
  10. 1. Williams, D. (2022). Bone and Ball Bags: Greek Phormiskoi and Diktydia (?). Pallas, 119, 295-319. doi:10.4000/pallas.25022
  11. 2. Williams, D. (2018). A Dourian geusterion: Scenes of wine production and sale on Athenian vases. Babesch. Bulletin antieke beschaving, 93, 75-92. doi:10.2143/BAB.93.0.3284846
  12. 3. Williams, D. (2015). A Cantharus from ancient Betar near Jerusalem (the so-called Warren Cup) and Roman Silver Plate. Babesch. Bulletin antieke beschaving, 90, 155-198. doi:10.2143/BAB.90.0.3089919
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